题目
Half a dozen radio stations about the face of the globe crackled sparks of electricity from capital and into millions of humble homes; peace came through the air and was simultaneous over all the face of the earth. The great ceremony on the battleship Missouri in Tokyo Bay was anticlimax. The greatest fleet in the world lay amidst the greatest ruins in the world under a dark and cheerless covering of clouds. The USS Iowa was on one side of the Missouri, the USS South Dakota on the other. A tattered flag with thirty-one stars was hung on one of the turrets of the battleship—the flag of the infant republic, which Commodore Perry brought with him to the same bay almost a hundred years before. Above the mainmast fluttered the battle flag of the Union of today. The deck was crowded with the American technicians. There were a Russian with a red band about his cap and a Tass newsreel man who insisted on crawling in among the main actors to get his shots; there was a Canadian general who spoiled his part and signed on the wrong line; there was a carefully tailored Chinese general from Chungking (Chongqing). Half a dozen Japanese were piped over the side of the Missouri, but for the purpose of history and in every man’s memory there were only two—the general, Umezu, and the statesman, Shingemitsu. Umezu was dressed in parade uniform, all his ribbons glistening, and his eyes blank, but you could see the brown pockmarks on his cheeks swelling and falling in emotion. Shingemitsu was dressed in a tall silk hat and a formal morning coat as if he were attending a wedding or a funeral. He had a wooden leg, and he limped along the deck; when he began to climb to the veranda deck where the peace was to be signed, he clutched the ropes and struggled up with infinite pain and discomfort. Shingemitsu and Umezu were brought forward, and, after a few carefully chosen words beautifully spoken by General MacArthur, they signed their names to a document marking an end to the Japanese Empire. When they had signed, the generals and admirals of all the other nations put their signatures to the document, and peace, if peace it was, had come. When portraying Umezu and Shingemitsu, the author focused on all the following EXCEPTA. facial expression.B. appearance.C. motions.D. inner activity.
Half a dozen radio stations about the face of the globe crackled sparks of electricity from capital and into millions of humble homes; peace came through the air and was simultaneous over all the face of the earth. The great ceremony on the battleship Missouri in Tokyo Bay was anticlimax. The greatest fleet in the world lay amidst the greatest ruins in the world under a dark and cheerless covering of clouds. The USS Iowa was on one side of the Missouri, the USS South Dakota on the other. A tattered flag with thirty-one stars was hung on one of the turrets of the battleship—the flag of the infant republic, which Commodore Perry brought with him to the same bay almost a hundred years before. Above the mainmast fluttered the battle flag of the Union of today. The deck was crowded with the American technicians. There were a Russian with a red band about his cap and a Tass newsreel man who insisted on crawling in among the main actors to get his shots; there was a Canadian general who spoiled his part and signed on the wrong line; there was a carefully tailored Chinese general from Chungking (Chongqing). Half a dozen Japanese were piped over the side of the Missouri, but for the purpose of history and in every man’s memory there were only two—the general, Umezu, and the statesman, Shingemitsu. Umezu was dressed in parade uniform, all his ribbons glistening, and his eyes blank, but you could see the brown pockmarks on his cheeks swelling and falling in emotion. Shingemitsu was dressed in a tall silk hat and a formal morning coat as if he were attending a wedding or a funeral. He had a wooden leg, and he limped along the deck; when he began to climb to the veranda deck where the peace was to be signed, he clutched the ropes and struggled up with infinite pain and discomfort. Shingemitsu and Umezu were brought forward, and, after a few carefully chosen words beautifully spoken by General MacArthur, they signed their names to a document marking an end to the Japanese Empire. When they had signed, the generals and admirals of all the other nations put their signatures to the document, and peace, if peace it was, had come. When portraying Umezu and Shingemitsu, the author focused on all the following EXCEPT
- A. facial expression.
- B. appearance.
- C. motions.
- D. inner activity.
题目解答
答案
D
解析
步骤 1：理解问题背景
文章描述了日本投降签字仪式的场景，特别关注了两位日本代表Umezu和Shingemitsu的外貌和动作。
步骤 2：分析选项
A. facial expression（面部表情）：文中提到Umezu的“eyes blank”和“pockmarks on his cheeks swelling and falling in emotion”，这表明作者关注了面部表情。
B. appearance（外貌）：文中描述了Umezu的“parade uniform”和Shingemitsu的“tall silk hat and a formal morning coat”，这表明作者关注了外貌。
C. motions（动作）：文中描述了Shingemitsu“limped along the deck”和“clutched the ropes and struggled up”，这表明作者关注了动作。
D. inner activity（内心活动）：文中没有直接描述Umezu和Shingemitsu的内心活动，只描述了他们的外在表现。
步骤 3：得出结论
根据以上分析，作者在描述Umezu和Shingemitsu时，没有关注他们的内心活动。
文章描述了日本投降签字仪式的场景，特别关注了两位日本代表Umezu和Shingemitsu的外貌和动作。
步骤 2：分析选项
A. facial expression（面部表情）：文中提到Umezu的“eyes blank”和“pockmarks on his cheeks swelling and falling in emotion”，这表明作者关注了面部表情。
B. appearance（外貌）：文中描述了Umezu的“parade uniform”和Shingemitsu的“tall silk hat and a formal morning coat”，这表明作者关注了外貌。
C. motions（动作）：文中描述了Shingemitsu“limped along the deck”和“clutched the ropes and struggled up”，这表明作者关注了动作。
D. inner activity（内心活动）：文中没有直接描述Umezu和Shingemitsu的内心活动，只描述了他们的外在表现。
步骤 3：得出结论
根据以上分析，作者在描述Umezu和Shingemitsu时，没有关注他们的内心活动。