题目
The development of jazz can be seen as part of the larger continuum of American popular music, especially dance music. In the twenties, jazz became the hottest new thing in dance music, much as ragtime had at the turn of the century, and as rhythm and blues in the forties, rock in the fifties, and disco in the seventies. But two characteristics distinguish jazz from other dance music. The first is improvisation, the changing of a musical phrase according to the player’’s inspiration. Like all artists, jazz musicians strive for an individual style, and the improvised or paraphrased solo is a jazz musician’’s main opportunity to display his or her individuality. In early jazz, musicians often improvised melodies collectively, thus creating a kind of polyphony. There was little soloing as such, although some New Orleans players, particularly cornet player Buddy Bolden, achieved local fame for their ability to improvise a solo. Later the idea of the chorus-long or multi-chorus solo took hold. Louis Armstrong’’s instrumental brilliance, demonstrated through extended solos, was a major influence in this development. Even in the early twenties, however, some jazz bands had featured soloists. Similarly, show orchestras and carnival bands often included one or two such "get-off" musicians. Unimprovised, completely structured jazz does exist, but the ability of the best jazz musicians to create music of great cohesion and beauty during a performance has been a hallmark of the music and its major source of inspiration and change. The second distinguishing characteristic of jazz is a rhythmic drive that was initially called "hot" and later "swing". In playing hot, a musician consciously departs from strict meter to create a relaxed sense of phrasing that also emphasizes the underlying rhythms. ("Rough" tone and use of moderate vibrato also contributes to a hot sound.)Not all jazz is hot, however, many early bands played unadorned published arrangements of popular songs. Still, the proclivity (倾向)to play hot distinguished the jazz musician from other instrumentalists.According to the author, what distinguishes jazz from other dance music A. Jazz musicians specialize in solo.B. Jazz bands have featured soloists.C. Jazz is very hot and rough.D. Jazz musicians often paraphrase solo according to their feelings.
The development of jazz can be seen as part of the larger continuum of American popular music, especially dance music. In the twenties, jazz became the hottest new thing in dance music, much as ragtime had at the turn of the century, and as rhythm and blues in the forties, rock in the fifties, and disco in the seventies. But two characteristics distinguish jazz from other dance music. The first is improvisation, the changing of a musical phrase according to the player’’s inspiration. Like all artists, jazz musicians strive for an individual style, and the improvised or paraphrased solo is a jazz musician’’s main opportunity to display his or her individuality. In early jazz, musicians often improvised melodies collectively, thus creating a kind of polyphony. There was little soloing as such, although some New Orleans players, particularly cornet player Buddy Bolden, achieved local fame for their ability to improvise a solo. Later the idea of the chorus-long or multi-chorus solo took hold. Louis Armstrong’’s instrumental brilliance, demonstrated through extended solos, was a major influence in this development. Even in the early twenties, however, some jazz bands had featured soloists. Similarly, show orchestras and carnival bands often included one or two such "get-off" musicians. Unimprovised, completely structured jazz does exist, but the ability of the best jazz musicians to create music of great cohesion and beauty during a performance has been a hallmark of the music and its major source of inspiration and change. The second distinguishing characteristic of jazz is a rhythmic drive that was initially called "hot" and later "swing". In playing hot, a musician consciously departs from strict meter to create a relaxed sense of phrasing that also emphasizes the underlying rhythms. ("Rough" tone and use of moderate vibrato also contributes to a hot sound.)Not all jazz is hot, however, many early bands played unadorned published arrangements of popular songs. Still, the proclivity (倾向)to play hot distinguished the jazz musician from other instrumentalists.According to the author, what distinguishes jazz from other dance music
- A. Jazz musicians specialize in solo.
- B. Jazz bands have featured soloists.
- C. Jazz is very hot and rough.
- D. Jazz musicians often paraphrase solo according to their feelings.
题目解答
答案
D
解析
步骤 1:理解问题核心
问题要求我们找出爵士乐与其它舞蹈音乐的区别。文章中明确提到了两个关键点:即兴演奏和节奏驱动。
步骤 2:分析选项
A. 爵士乐手专长于独奏。文章提到爵士乐手通过即兴演奏展示个人风格,但没有说他们专长于独奏。
B. 爵士乐队有独奏者。文章提到一些早期的爵士乐队有独奏者,但这不是爵士乐与其它舞蹈音乐的区别。
C. 爵士乐非常热和粗糙。文章提到爵士乐的节奏驱动被称为“热”或“摇摆”,但没有说爵士乐非常粗糙。
D. 爵士乐手经常根据自己的感觉即兴演奏独奏。文章明确提到爵士乐手通过即兴演奏展示个人风格,这正是爵士乐与其它舞蹈音乐的区别之一。
步骤 3:选择正确答案
根据文章内容,选项D最符合爵士乐与其它舞蹈音乐的区别。
问题要求我们找出爵士乐与其它舞蹈音乐的区别。文章中明确提到了两个关键点:即兴演奏和节奏驱动。
步骤 2:分析选项
A. 爵士乐手专长于独奏。文章提到爵士乐手通过即兴演奏展示个人风格,但没有说他们专长于独奏。
B. 爵士乐队有独奏者。文章提到一些早期的爵士乐队有独奏者,但这不是爵士乐与其它舞蹈音乐的区别。
C. 爵士乐非常热和粗糙。文章提到爵士乐的节奏驱动被称为“热”或“摇摆”,但没有说爵士乐非常粗糙。
D. 爵士乐手经常根据自己的感觉即兴演奏独奏。文章明确提到爵士乐手通过即兴演奏展示个人风格,这正是爵士乐与其它舞蹈音乐的区别之一。
步骤 3:选择正确答案
根据文章内容,选项D最符合爵士乐与其它舞蹈音乐的区别。