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Beijing Opera Beijing Opera,China's national opera,originated in the late 18th century and is a mixture of music,dance,art and acrobatics.It is the most influential and representative of all operas in China. Based upon traditional Anhui Opera,it has adopted its repertoire,music and performing techniques from Kun Opera (a local opera from Jiangsu Province) and Qinqiang Opera (from Shaanxi Province) as well as traditional folk tunes in its development,eventually forming its own highly stylised music and performing techniques. Beijing Opera can be divided into "civil" pieces,which are characterised by singing,and "martial" ones,which feature acrobatics and stunts.Some operas are combinations of both. Its repertoire includes historical plays,comedies,tragedies and farces.Many historical events are adapted for Beijing Opera plays,which in the past were an important primer on history and ethical principles for poorly-educated people. There are four roles in general:the male,the female,the"painted face",and the clown,which are further classified by age and profession.Sheng (male roles) can be divided into three categories:the old,the young and the martial arts expert.Dan(female roles) includes qingyi(a quiet and gentle lady),huadan (a lively woman),wudan(a woman with martial arts skills),daomadan(a woman skilled in fighting with weapons or on a horse) and laodan(an old woman).Jing(painted face roles) is always played by men with brightly coloured faces.Chou(clown roles) is marked by a dab of white on the ridge of the nose.This character is sometimes positive,kind-hearted and humourous,but sometimes negative,cunning or silly.Each role has its fixed singing and acting styles. Like the acting and singing,the make-up is stylised,inspired by the masks worn by dancers in Tang,Song and Yuan Dynasty operas.The make-up highlights and exaggerates the principal features of the characters. For the painted face role,the colour of their made-up faces can be an indication of their characters or personalities.Red indicates uprightness and loyalty,white craftiness and cunning.Blue indicates a vigorous,courageous and enterprising nature while yellow means an intelligent character,but a less extroverted one.Black shows a sound and honest character while green is often the symbol of a brave and irritable one. The costumes are based on those of the Ming Dynasty,no matter when the story is set.The props can include a cloth wall,tents,whips,paddles and weapons.The props are realistic,but not so elaborate that they detract from the performance.Exaggeration and symbolism are characteristics of the opera.Holding a whip is enough to indicate that an actor is galloping on a horse.A few soldiers on the stage may represent a whole army.An actor's circling the stage suggests a long journey. Often there is just a table and a few chairs on the stage.The description of many situations depends on the performance of the actors and actresses.Opening a door,walking at night,rowing a boat,eating,drinking and the like are all demonstrated by the stylised movements of the actors and actresses.Performers also use their eyes and facial expressions to help convey the specific meaning. In the past 200 years,numerous schools and celebrated performers have emerged.As a result of the hard work of hundreds of artists over the past two centuries,Beijing Opera has become a refined art form and now represents an important part of Chinese culture.Read the passage and complete the following ch art with the information you have gained.Beijing Opera Origin Beijing Opera originated in(1) ____ and is a mixture of(2) ____ .Based on(3) ____ Opera,it has adopted its repertoire,(4) ____ and(5) ____ from(6) ____ Opera and (7) ____ Opera as well as traditional folk tunes. Role There are four roles in Beijing Opera:(8) ____ ,(9) ____ ,(10) ____ .Each role has its (11) ____ ,and(12) ____ styles. Make-up The make up is inspired by(13) ____ worn by dancers in(14) ____ ,(15) ____ ,and(16) ____ Dynasty operas.The colour of the made up face indicates the(17) ____ or(18) ____ of the role. Costumes& Props The costumes are based on(19) ____ .The props are(20) ____ ,but not so(21) ____ that they detract from the performance. Performance The(22) ____ depends on the performance of the actors and actresses.Performers use their(23) ____ and(24) ____ to help convey meanings. Beijing Opera Beijing Opera,China's national opera,originated in the late 18th century and is a mixture of music,dance,art and acrobatics.It is the most influential and representative of all operas in China. Based upon traditional Anhui Opera,it has adopted its repertoire,music and performing techniques from Kun Opera (a local opera from Jiangsu Province) and Qinqiang Opera (from Shaanxi Province) as well as traditional folk tunes in its development,eventually forming its own highly stylised music and performing techniques. Beijing Opera can be divided into "civil" pieces,which are characterised by singing,and "martial" ones,which feature acrobatics and stunts.Some operas are combinations of both. Its repertoire includes historical plays,comedies,tragedies and farces.Many historical events are adapted for Beijing Opera plays,which in the past were an important primer on history and ethical principles for poorly-educated people. There are four roles in general:the male,the female,the"painted face",and the clown,which are further classified by age and profession.Sheng (male roles) can be divided into three categories:the old,the young and the martial arts expert.Dan(female roles) includes qingyi(a quiet and gentle lady),huadan (a lively woman),wudan(a woman with martial arts skills),daomadan(a woman skilled in fighting with weapons or on a horse) and laodan(an old woman).Jing(painted face roles) is always played by men with brightly coloured faces.Chou(clown roles) is marked by a dab of white on the ridge of the nose.This character is sometimes positive,kind-hearted and humourous,but sometimes negative,cunning or silly.Each role has its fixed singing and acting styles. Like the acting and singing,the make-up is stylised,inspired by the masks worn by dancers in Tang,Song and Yuan Dynasty operas.The make-up highlights and exaggerates the principal features of the characters. For the painted face role,the colour of their made-up faces can be an indication of their characters or personalities.Red indicates uprightness and loyalty,white craftiness and cunning.Blue indicates a vigorous,courageous and enterprising nature while yellow means an intelligent character,but a less extroverted one.Black shows a sound and honest character while green is often the symbol of a brave and irritable one. The costumes are based on those of the Ming Dynasty,no matter when the story is set.The props can include a cloth wall,tents,whips,paddles and weapons.The props are realistic,but not so elaborate that they detract from the performance.Exaggeration and symbolism are characteristics of the opera.Holding a whip is enough to indicate that an actor is galloping on a horse.A few soldiers on the stage may represent a whole army.An actor's circling the stage suggests a long journey. Often there is just a table and a few chairs on the stage.The description of many situations depends on the performance of the actors and actresses.Opening a door,walking at night,rowing a boat,eating,drinking and the like are all demonstrated by the stylised movements of the actors and actresses.Performers also use their eyes and facial expressions to help convey the specific meaning. In the past 200 years,numerous schools and celebrated performers have emerged.As a result of the hard work of hundreds of artists over the past two centuries,Beijing Opera has become a refined art form and now represents an important part of Chinese culture.Read the passage and complete the following ch art with the information you have gained.Beijing Opera Origin Beijing Opera originated in(1) ____ and is a mixture of(2) ____ .Based on(3) ____ Opera,it has adopted its repertoire,(4) ____ and(5) ____ from(6) ____ Opera and (7) ____ Opera as well as traditional folk tunes. Role There are four roles in Beijing Opera:(8) ____ ,(9) ____ ,(10) ____ .Each role has its (11) ____ ,and(12) ____ styles. Make-up The make up is inspired by(13) ____ worn by dancers in(14) ____ ,(15) ____ ,and(16) ____ Dynasty operas.The colour of the made up face indicates the(17) ____ or(18) ____ of the role. Costumes& Props The costumes are based on(19) ____ .The props are(20) ____ ,but not so(21) ____ that they detract from the performance. Performance The(22) ____ depends on the performance of the actors and actresses.Performers use their(23) ____ and(24) ____ to help convey meanings.

Beijing Opera    Beijing Opera,China's national opera,originated in the late 18th century and is a mixture of music,dance,art and acrobatics.It is the most influential and representative of all operas in China.
    Based upon traditional Anhui Opera,it has adopted its repertoire,music and performing techniques from Kun Opera (a local opera from Jiangsu Province) and Qinqiang Opera (from Shaanxi Province) as well as traditional folk tunes in its development,eventually forming its own highly stylised music and performing techniques.
    Beijing Opera can be divided into "civil" pieces,which are characterised by singing,and "martial" ones,which feature acrobatics and stunts.Some operas are combinations of both.
    Its repertoire includes historical plays,comedies,tragedies and farces.Many historical events are adapted for Beijing Opera plays,which in the past were an important primer on history and ethical principles for poorly-educated people.
    There are four roles in general:the male,the female,the"painted face",and the clown,which are further classified by age and profession.Sheng (male roles) can be divided into three categories:the old,the young and the martial arts expert.Dan(female roles) includes qingyi(a quiet and gentle lady),huadan (a lively woman),wudan(a woman with martial arts skills),daomadan(a woman skilled in fighting with weapons or on a horse) and laodan(an old woman).Jing(painted face roles) is always played by men with brightly coloured faces.Chou(clown roles) is marked by a dab of white on the ridge of the nose.This character is sometimes positive,kind-hearted and humourous,but sometimes negative,cunning or silly.Each role has its fixed singing and acting styles.
    Like the acting and singing,the make-up is stylised,inspired by the masks worn by dancers in Tang,Song and Yuan Dynasty operas.The make-up highlights and exaggerates the principal features of the characters.
    For the painted face role,the colour of their made-up faces can be an indication of their characters or personalities.Red indicates uprightness and loyalty,white craftiness and cunning.Blue indicates a vigorous,courageous and enterprising nature while yellow means an intelligent character,but a less extroverted one.Black shows a sound and honest character while green is often the symbol of a brave and irritable one.
    The costumes are based on those of the Ming Dynasty,no matter when the story is set.The props can include a cloth wall,tents,whips,paddles and weapons.The props are realistic,but not so elaborate that they detract from the performance.Exaggeration and symbolism are characteristics of the opera.Holding a whip is enough to indicate that an actor is galloping on a horse.A few soldiers on the stage may represent a whole army.An actor's circling the stage suggests a long journey.
    Often there is just a table and a few chairs on the stage.The description of many situations depends on the performance of the actors and actresses.Opening a door,walking at night,rowing a boat,eating,drinking and the like are all demonstrated by the stylised movements of the actors and actresses.Performers also use their eyes and facial expressions to help convey the specific meaning.
    In the past 200 years,numerous schools and celebrated performers have emerged.As a result of the hard work of hundreds of artists over the past two centuries,Beijing Opera has become a refined art form and now represents an important part of Chinese culture.

Read the passage and complete the following ch art with the information you have gained.
Beijing Opera
Origin Beijing Opera originated in(1) ____ and is a mixture of(2) ____ .
Based on(3) ____ Opera,it has adopted its repertoire,(4) ____ and(5) ____ from(6) ____  Opera and (7) ____ Opera as well as traditional folk tunes.
Role There are four roles in Beijing Opera:(8) ____  ,(9) ____  ,(10) ____ .Each role has its (11) ____ ,and(12) ____  styles.
Make-up The make up is inspired by(13) ____  worn by dancers in(14) ____  ,(15) ____ ,and(16) ____ Dynasty operas.
The colour of the made up face indicates the(17) ____ or(18) ____  of the role.
Costumes& Props The costumes are based on(19) ____ .
The props are(20) ____ ,but not so(21) ____  that they detract from the performance.
Performance The(22) ____ depends on the performance of the actors and actresses.Performers use their(23) ____ and(24) ____ to help convey meanings.

Beijing Opera    Beijing Opera,China's national opera,originated in the late 18th century and is a mixture of music,dance,art and acrobatics.It is the most influential and representative of all operas in China.
    Based upon traditional Anhui Opera,it has adopted its repertoire,music and performing techniques from Kun Opera (a local opera from Jiangsu Province) and Qinqiang Opera (from Shaanxi Province) as well as traditional folk tunes in its development,eventually forming its own highly stylised music and performing techniques.
    Beijing Opera can be divided into "civil" pieces,which are characterised by singing,and "martial" ones,which feature acrobatics and stunts.Some operas are combinations of both.
    Its repertoire includes historical plays,comedies,tragedies and farces.Many historical events are adapted for Beijing Opera plays,which in the past were an important primer on history and ethical principles for poorly-educated people.
    There are four roles in general:the male,the female,the"painted face",and the clown,which are further classified by age and profession.Sheng (male roles) can be divided into three categories:the old,the young and the martial arts expert.Dan(female roles) includes qingyi(a quiet and gentle lady),huadan (a lively woman),wudan(a woman with martial arts skills),daomadan(a woman skilled in fighting with weapons or on a horse) and laodan(an old woman).Jing(painted face roles) is always played by men with brightly coloured faces.Chou(clown roles) is marked by a dab of white on the ridge of the nose.This character is sometimes positive,kind-hearted and humourous,but sometimes negative,cunning or silly.Each role has its fixed singing and acting styles.
    Like the acting and singing,the make-up is stylised,inspired by the masks worn by dancers in Tang,Song and Yuan Dynasty operas.The make-up highlights and exaggerates the principal features of the characters.
    For the painted face role,the colour of their made-up faces can be an indication of their characters or personalities.Red indicates uprightness and loyalty,white craftiness and cunning.Blue indicates a vigorous,courageous and enterprising nature while yellow means an intelligent character,but a less extroverted one.Black shows a sound and honest character while green is often the symbol of a brave and irritable one.
    The costumes are based on those of the Ming Dynasty,no matter when the story is set.The props can include a cloth wall,tents,whips,paddles and weapons.The props are realistic,but not so elaborate that they detract from the performance.Exaggeration and symbolism are characteristics of the opera.Holding a whip is enough to indicate that an actor is galloping on a horse.A few soldiers on the stage may represent a whole army.An actor's circling the stage suggests a long journey.
    Often there is just a table and a few chairs on the stage.The description of many situations depends on the performance of the actors and actresses.Opening a door,walking at night,rowing a boat,eating,drinking and the like are all demonstrated by the stylised movements of the actors and actresses.Performers also use their eyes and facial expressions to help convey the specific meaning.
    In the past 200 years,numerous schools and celebrated performers have emerged.As a result of the hard work of hundreds of artists over the past two centuries,Beijing Opera has become a refined art form and now represents an important part of Chinese culture.

Read the passage and complete the following ch art with the information you have gained.
Beijing Opera
Origin Beijing Opera originated in(1) ____ and is a mixture of(2) ____ .
Based on(3) ____ Opera,it has adopted its repertoire,(4) ____ and(5) ____ from(6) ____  Opera and (7) ____ Opera as well as traditional folk tunes.
Role There are four roles in Beijing Opera:(8) ____  ,(9) ____  ,(10) ____ .Each role has its (11) ____ ,and(12) ____  styles.
Make-up The make up is inspired by(13) ____  worn by dancers in(14) ____  ,(15) ____ ,and(16) ____ Dynasty operas.
The colour of the made up face indicates the(17) ____ or(18) ____  of the role.
Costumes& Props The costumes are based on(19) ____ .
The props are(20) ____ ,but not so(21) ____  that they detract from the performance.
Performance The(22) ____ depends on the performance of the actors and actresses.Performers use their(23) ____ and(24) ____ to help convey meanings.

题目解答

答案

(1)the late 18th century (2)music,dance,art and acrobatics(3)traditional Anhui(4)music(5)performing techniques (6)Kun (7)Qinqiang(8)the male (9)the female (10)the"painted face" and the clown(11)fixed singing (12)acting(13)the masks  (14)Tang (15)Song(16)Yuan(17)characters(18)personalities(19)those of the Ming Dynasty(20)realistic(21)elaborate(22)description of many situations (23)eyes(24)facial expressions
(1)the late 18th century (2)music,dance,art and acrobatics(3)traditional Anhui(4)music(5)performing techniques (6)Kun (7)Qinqiang(8)the male (9)the female (10)the"painted face" and the clown(11)fixed singing (12)acting(13)the masks  (14)Tang (15)Song(16)Yuan(17)characters(18)personalities(19)those of the Ming Dynasty(20)realistic(21)elaborate(22)description of many situations (23)eyes(24)facial expressions

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  • These drugs are available over-the-counter without a(n)__________. ()A. infectionB. dosageC. prescription

  • The coming of the railways in the 1830s ________ our society and economic life.A. transferredB. transformedC. transportedD. transmitted

  • The increase in international business and in foreign investment has created a need for executives with knowledge of foreign languages and skills in cross-cultural communication. Americans, however, have not been well trained in either area and, consequently, have not enjoyed the same level of success in negotiation in an international arena as have their foreign counterparts. Negotiating is the process of communicating back and forth for the purpose of reaching an agreement. It involves persuasion and compromise, but in order to participate in either one, the negotiators must understand the ways in which people are persuaded and how compromise is reached within the culture of the negotiation. In many international business negotiations abroad, Americans are perceived as wealthy and impersonal. It often appears to the foreign negotiator that the American represents a large multi-million-dollar corporation that can afford to pay the price without bargaining further. The American negotiator’s role becomes that of an impersonal supplier of information and cash. In studies of American negotiators abroad, several traits have been identified that may serve to confirm this stereotypical perception, while undermining the negotiator’s position. Two traits in particular that cause cross-cultural misunderstanding are directness and impatience on the part of the American negotiator. Furthermore, American negotiators often insist on realizing short-term goals. Foreign negotiators, on the other hand, may value the relationship established between negotiators and may be willing to invest time in it for long-term benefits. In order to solidify the relationship, they may opt for indirect interactions without regard for the time involved in getting to know the other negotiator. Clearly, perceptions and differences in values affect the outcomes of negotiations and the success of negotiators. For Americans to play a more effective role in international business negotiations, they must put forth more effort to improve cross-cultural understanding. [共5题](1)What kind of manager is needed in present international business and foreign investment? [本题2分]A. The man who represents a large multi-million-dollar corporation. B. The man with knowledge of foreign languages and skills in cross-cultural communication. C. The man who is wealthy and impersonal. D. The man who can negotiate with his foreign counterparts.

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